Octave generalization and melody identification

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Octave generalization and melody identification.

In a recent article, House (1977) describes an experiment which he interprets as evidence against the two-channel theory for the abstraction of pitch relationships proposed by Deutsch (1969). The methodology used in this experiment was, however, inappropriate for a test of this theory. According to the model of Deutsch (1969), the abstraction of pitch relationships takes place along two separat...

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Octave generalization and tune recognition

An experiment was performed to investigate whether or not we are able to use octave generalization in recognizing tunes. The first half of the tune “Yankee Doodle” was chosen as the test sequence. This was universally recognized when played in any one of three octaves. However, when the sequence was played in identical fashion except that each note was chosen randomly from one of the same three...

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Octave generalization and the consolidation of melodic information.

Subjects listened to a standard six-tone melody, followed by a comparison melody. The comparison melody was always transposed up four semitones from the standard, and this transposition was either exact or it was inexact while maintaining contour. Subjects judged whether or not the comparison melody formed an exact transposition of the standard. It was found that repetition of the standard melo...

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Music perception and octave generalization in rhesus monkeys.

Two rhesus monkeys were tested for octave generalization in 8 experiments by transposing 6- and 7-note musical passages by an octave and requiring same or different judgments. The monkeys showed no octave generalization to random-synthetic melodies, atonal melodies, or individual notes. They did show complete octave generalization to childhood songs (e.g., "Happy Birthday") and tonal melodies (...

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Melody Track Identification in Music Symbolic Files

Standard MIDI files contain data that can be considered as a symbolic representation of music (a digital score), and most of them are structured as a number of tracks, one of them usually containing the melodic line of the piece, while the other tracks contain the accompaniment. The objective of this work is to identify the track containing the melody using statistical properties of the notes a...

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ژورنال

عنوان ژورنال: Perception & Psychophysics

سال: 1978

ISSN: 0031-5117,1532-5962

DOI: 10.3758/bf03214301